KEVIN JESUINO
Work
Tender City: The Silent Slow Dance Project
The Nature of Us
Root Food Project
Cruising at 30 km a Second and Attempting Not To Crash
Public Welcome
Crescent Heights: The Neighbourhood as Relational Stage (2015–2019)
The End
Party Tricks
Being Together
Mating Calls
Frequent Return to Nothing
About
Writing
News
KEVIN JESUINO
MENU
Work
Tender City: The Silent Slow Dance Project
The Nature of Us
Root Food Project
Cruising at 30 km a Second and Attempting Not To Crash
Public Welcome
Crescent Heights: The Neighbourhood as Relational Stage (2015–2019)
The End
Party Tricks
Being Together
Mating Calls
Frequent Return to Nothing
About
Writing
News
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Party Tricks

In this multidisciplinary performance, I treat the body as a biological and social case study. The work is a formal inquiry into the mechanics of belonging, using personal narrative as the central material to explore the deep-seated tensions of alienation and consent. I am interested in the moment an individual is "let in" or "cast out," and the visceral physical response that accompanies those transitions.

The performance operates at the intersection of dance, text, and video to deconstruct our precarious position within the animal kingdom. By layering somatic movement with technological media, I investigate primate social hierarchies and their modern human echoes. I am looking for the "animal" in the "social"—examining how our primitive drives for group inclusion dictate our modern understanding of boundaries and permission.

Featuring: AJ Musters, Randi-Lee Ross & Kevin Jesuino

--APPEARANCE--

To The Awe #1, The New Gallery (Calgary,AB) February 2017


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