It’s difficult to talk about any sub-genre of social art practice without referring to Joseph Beuys. Beuys was a German mid-century artist who was seen as radical in the contemporary art scene of the time because of his belief that “everybody is an artist.”
For Beuys, the spaces we live in are art; the work we do is art; the conversations we have are art; everything is art and everyone is an artist. In total, we as a whole build part of the "social sculpture".
Beuys created the term "social sculpture" to describe the way art can transform society. Art isn’t merely for institutionalized curated work, but rather, it is everywhere and everyone is making it. We are all constantly shaping society and the environment with our words, actions, thoughts and objects we create. He believed that society as a whole was one great big masterpiece that each person could contribute to individually.
In 1973, Beuys wrote:
"Only on condition of a radical widening of definitions will it be possible for art and activities related to art [to] provide evidence that art is now the only evolutionary-revolutionary power. Only art is capable of dismantling the repressive effects of a senile social system that continues to totter along the deathline: to dismantle in order to build ‘A SOCIAL ORGANISM AS A WORK OF ART’… EVERY HUMAN BEING IS AN ARTIST who – from his state of freedom – the position of freedom that he experiences at first-hand – learns to determine the other positions of the TOTAL ART WORK OF THE FUTURE SOCIAL ORDER."
I’ve been thinking a lot about how artists not only reflect society but also offer up solutions to the problems they refelct. Beuys went as far as taking this belief that everyone is contributing to the social sculpture we live in and forming the “Organization for direct democracy through plebiscite”. Mixing his work as an artist and politician he co-founded this organization out of Düsseldorf in 1971. Today, Johannes Stuttgen continues to spread this idea through the project “Omnibus”.
Read more about Johannes Stuttgen’s Omnibus project here: http://www.omnibus.org/fileadmin/omnibus.org/PDF/Sonstiges/4_Seiter_2008_engl_web.pdf
Beuys once said that “every sphere of human activity, even peeling a potato can be a work of art as long as it is a conscious act.” Every action you make should be in an attempt to better society and contribute to the work of art we call society.
What’s great about Beuys' perspective on art is that it humbles people into seeing that they are an important part of a larger whole, but, each individual has the creativity to contribute what they can to this larger whole.
It’s important to note that initial creativity in humans can be traced back to the Homo erectus phase of humanity, which occurred 1.8 to 0.3 million years ago. Signs of evolutionary cognitive and social abilities began to form such as the building of sophisticated, task specific stone hand axes, seasonal homes, long-distance hunting strategies and the migration out of Africa.
See more on the evolutionary history of humanity’s creativity here: http://computationalcreativity.net/iccc2012/wp-content/uploads/2012/05/203-Gabora.pdf
Beuys died in 1986 famous for his work as a German Fluxus, happenings, performance artist, sculptor, installation artist, graphic aritst, art theorist and pedagogue of art. And although he is not alive today to carry on his beliefs of social sculpture, he is highly regarded as one of the most influential artists of the second half of the 20th century. His work is synonymous with early social art practice and civic engagement. “Everyone is an artist” — a radical thought in the 1950s, and yet, still a radical view point today because it demysetifies our glorification of the art gallery or the theatre. It democratizes art for everyone and sees the useful/meaningful as something creative and for everyone.
This is one of my favourite new agency articles on the topic of Social Art Practice. It delves into the broadness of this art form and explains the impact it has on society.
"Social Practice is about broad social goals, networks and cultural practice. It is an art and design practice that involves engagement with communities of interest. It requires the democratization of the relationship between creative practitioner and public and a sharing of ‘expert’ and ‘lay’ knowledge. Social Practice involves the valuing of difference as well as the need for shared understanding and agreement; it focuses on the skills, knowledge and understanding that people have innately in their private, family, community and working lives. Social practice has a broad range of forms and working methods which are not limited to but can incorporate both collaborative or transgressive actions. " LIT University Website (MA SPACE)